the days of the gramophones
in the old days, the grammy phones were as beautiful as the young women who used them. they were shiny but rounded, painted and elegant with patterns of flowers and hearts and love, shaped cutely in compact blobby cubes. The colors! The colors were chosen every season by haute couture industrial designers--men and women in tuxedos and tophats and curly mustaches grown (or pencilled) in, who would step forward and crank the grammyphone's handle as the room of guests and afternoon by hostesses leaned forward in anticipation.
The young men of good families would give these treasures to the young women they pinned--presenting the gifts in feathery pastel boxes crammed twice sized with lavender, teal, and fuschia tissue paper. The young girls with bobbed curly hair squealed as was the proper show of affection and dedication, and then they would set out the machines on small stands in their foyers--every time a caller came, he or she would set his card respectfully in front of the machine. "I recognize that you are valuable enough to have won the love of so-and-so," these cards said between the lines. "And we are really so happy for you! Thank you for sharing this information with us."
In the young women's later years she would take out the player tenderly and be reminded of many things that were no longer so. The smells in the morning of her parent's house, the excitement she felt standing in front of the mirror waiting for men to come by and ask her to dance, the feel of gowns bulging out and pressing gently against the legs of a boy standing next to her. Playing the old dancing songs she'd be reminded of her youth, and she would turn and twist to an invisible partner, holding her old, withered hands out to the empty air.
All of the years inbetween that time and now evaporating, inconsequential. With them flew the weight of the screaming, the anguish, his brazen lovers appearing about town in broad daylight with him--and the pain of her marriage--and then the eventual indifference in their later years as they spent less time together. Her children all gone, confused and upset; the houses lost and burned, her parents dead and gone, the boulevards of her youth gone, everything now a confusing jumble of lewdness and without class. Even the colors of the dresses women wore were different; violent reds and yellows and black instead of the floating gowns and long gloves that had made her so beautiful to him.