Friday, September 14, 2007
Sunday, September 9, 2007
dreams from the void: cowgirl & ghost woman
from Rainer Maria Rilke's notebooks:
I think I ought to begin to do some works now that I am learning to see. I am 28 years old, and almost nothing has been done. To recapitulate, I have written a study on Carpaccio, which is bad, a drama entitled "Marriage" which sets out to demonstrate something false by equivocal means, and some verses. Ah! But verses amount to so little when one writes them young. One ought to wait and gather sense and sweetness a whole life long, and a long life if possible, and then, quite at the end, one night be able to write ten verses that are good. For verses are not, as people imagine, simply feelings (those one has early enough), -they are experiences. For the sake of a single verse, one must see many cities, men and things, one must know animals, the little flowers open in the morning. One must be able to think back to roads in unknown regions, to unexpected meetings and to partings one had long seen coming, to days of childhood that are still unexplained, to parents whom one had hurt when they brought one some joy and one did not grasp it (it was a joy for someone else), to childhood illnesses that begin with such a number of profound and grave transformations, to days in rooms withdrawn and quiet and to mornings by the sea, to the sea itself, to seas, to nights of travel that rushed along on high and flew with all the stars--and it is not yet enough if one may thing of all this. One must have memories of many nights of love, none of which was like the others, of the screams of women in labor, and of light, white sleeping women in childbeds, closing again. But one must also have been beside the dying, must have sat beside the dead in the room with the open window and the fitful noises. And still it is not enough to have memories. One must have been able to fget them when they are many and one must have great patience to wait until the come again. For it is not yet the memories themselves. Not till they have turned to blood within us, to glance and gesture, nameless and no longer to be distinguished from ourselves not til then can it happent hat in a most rare hour the first word of a verse arises in their midst and goes forth from them.
I think I ought to begin to do some works now that I am learning to see. I am 28 years old, and almost nothing has been done. To recapitulate, I have written a study on Carpaccio, which is bad, a drama entitled "Marriage" which sets out to demonstrate something false by equivocal means, and some verses. Ah! But verses amount to so little when one writes them young. One ought to wait and gather sense and sweetness a whole life long, and a long life if possible, and then, quite at the end, one night be able to write ten verses that are good. For verses are not, as people imagine, simply feelings (those one has early enough), -they are experiences. For the sake of a single verse, one must see many cities, men and things, one must know animals, the little flowers open in the morning. One must be able to think back to roads in unknown regions, to unexpected meetings and to partings one had long seen coming, to days of childhood that are still unexplained, to parents whom one had hurt when they brought one some joy and one did not grasp it (it was a joy for someone else), to childhood illnesses that begin with such a number of profound and grave transformations, to days in rooms withdrawn and quiet and to mornings by the sea, to the sea itself, to seas, to nights of travel that rushed along on high and flew with all the stars--and it is not yet enough if one may thing of all this. One must have memories of many nights of love, none of which was like the others, of the screams of women in labor, and of light, white sleeping women in childbeds, closing again. But one must also have been beside the dying, must have sat beside the dead in the room with the open window and the fitful noises. And still it is not enough to have memories. One must have been able to fget them when they are many and one must have great patience to wait until the come again. For it is not yet the memories themselves. Not till they have turned to blood within us, to glance and gesture, nameless and no longer to be distinguished from ourselves not til then can it happent hat in a most rare hour the first word of a verse arises in their midst and goes forth from them.
at
00:38
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Labels: art, drawing, ink, inspiration, rilke
Thursday, September 6, 2007
kluster magazine (thanks miss mel!)
Miss Mel interviewed me in the art issue of kluster magazine
Check it out!
I'm missing those crazy australian girls, and all the Berlin crowd in general...
at
15:08
1 comments
Monday, August 27, 2007
poems of wallace stevens
THE EMPREROR OF ICE-CREAM
by Wallace Stevens
by Wallace Stevens
Call the roller of big cigars,
The muscular one, and bid him whip
In kitchen cups concupiscent curds.
Let the wenches dawdle in such dress
As they are used to wear, and let the boys
Bring flowers in last month's newspapers.
Let be be finale of seem.
The only emperor is the emperor of ice-cream.
Take from the dresser of deal,
Lacking the three glass knobs, that sheet
On which she embroidered fantails once
And spread it so as to cover her face.
If her horny feet protrude, they come
To show how cold she is, and dumb,
Let the lamb affix its beam.
The only emperor is the emperor of ice-cream.
The muscular one, and bid him whip
In kitchen cups concupiscent curds.
Let the wenches dawdle in such dress
As they are used to wear, and let the boys
Bring flowers in last month's newspapers.
Let be be finale of seem.
The only emperor is the emperor of ice-cream.
Take from the dresser of deal,
Lacking the three glass knobs, that sheet
On which she embroidered fantails once
And spread it so as to cover her face.
If her horny feet protrude, they come
To show how cold she is, and dumb,
Let the lamb affix its beam.
The only emperor is the emperor of ice-cream.
A POSTCARD FROM THE VOLCANO
by Wallace Stevens
Children picking up our bones
Will never know that these were once
As quick as foxes on the hill;
And that in autumn, when the grapes
Made sharp air sharper by their smell
These had a being, breathing frost;
And least will guess that with out bones
We left much more, left what still is
The look of things, left what we felt
At what we saw. The spring clouds below
Above the shuttered mansion house,
Beyond our gate and the windy sky
Cries out a literate despair.
We knew for long the mansion's look
And what we said of it became
A part of what it is... Children,
Still weaving budded aureoles,
Will speak our speech and never know,
Will say of the mansion that it seems
As if he lived there left behind
A spirit storming in blank walls,
A dirty house in a gutted world,
A tatter of shadows peaked to white,
Smeared with the gold of the opulent sun.
by Wallace Stevens
Children picking up our bones
Will never know that these were once
As quick as foxes on the hill;
And that in autumn, when the grapes
Made sharp air sharper by their smell
These had a being, breathing frost;
And least will guess that with out bones
We left much more, left what still is
The look of things, left what we felt
At what we saw. The spring clouds below
Above the shuttered mansion house,
Beyond our gate and the windy sky
Cries out a literate despair.
We knew for long the mansion's look
And what we said of it became
A part of what it is... Children,
Still weaving budded aureoles,
Will speak our speech and never know,
Will say of the mansion that it seems
As if he lived there left behind
A spirit storming in blank walls,
A dirty house in a gutted world,
A tatter of shadows peaked to white,
Smeared with the gold of the opulent sun.
at
15:22
0
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Labels: inspiration, poetry, wallace stevens
Sunday, August 26, 2007
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